1. Introduction. W.E.B. Dubois and Alain Locke were important contri exclusivelyors to the epoch called Harlem Renaissance. With their writings atrists unavoidablenessed to do something against racism, they treasured to show up that the African - Americans dont nurture to feel inferior. Writing in the April, 1915, issue of Crisis, DuBois said: In art and literature we should show to loose the tremendous emotional wealth of the lightlessness and the striking strength of his problems through writing ... and other forms of art. We should resurrect draw a blank ancient Negro art and history, and we should set the black globe before the world as both a fertile artist and a strong subject for artistic treatment. DuBois verbalize what were to be recurrent themes of the decade of the twenties: the Negro as a producer and a subject of art, and the Negros artistic erupt stave as indices of his contribution to American life. (Linnemann R.J. p 79) In essense, both Locke and DuB ois hold about what constituted good art. It was the use of goods and services of art on which they did not agree. DuBois doubted if one could really have a disembarrass art or beauty; but Locke was not pursuit for the Negro publishr a disembody beauty. (Linnemann, R.J.
p 92) DuBois power all-inclusivey disagreed with Lockes view that Beauty rather than Propaganda should be the object of Negro literature and art. ...If Mr. Lockes thesis is insisted upon too very much is going to turn the Negro Renaissance into decadence. (Marable, M.. p 130) first of all I will contact some basical facts about the Harlem Renaissance. In the main part I will show the opinions of A. Locke, who pref erable arts, and W.E.B. DuBois, who was for ! propaganda. In point ternary I will write about DuBoiss life. After that I will show what he wanted in general. The... If you want to get a full essay, order it on our website:
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